Darjeeling, Sept. 20.TT: Ajoy Singh, if he could speak, would have told his student, Ranbir, he gets 10 out of 10 for Barfi!
Ajoy is a 40-year-old peon in a GTA office in Darjeeling who is hearing impaired. He was Ranbir Kapoor’s sign language coach in Barfi!
On Monday, Ajoy,
his family and 18 of his friends with similar challenges went to INOX to
watch the film. Wife Sabita and 18-year-old son Anand, who acted as his
interpreter when he coached Ranbir, were also with him.
Using signs, he
said: “I am touched by his acting. I would give him 10 out of 10 for
depicting the character.” His son translated for Metro.
His favourite
scene was when Ranbir falls down while chasing a toy train at Tindharia.
“The other scene I really liked is the one where he (Ranbir) tried to
rob a bank,” Ajoy gestured.
Anurag Basu, the
film’s director, was looking for a man in Darjeeling to teach Ranbir the
right signs, when his contact person in the hills, Uday Mani Pradhan,
suggested Ajoy’s name.
Basu, who spoke
over phone, mentioned Ajoy was “very expressive”. “I first met Ajoy when
we started to shoot in Darjeeling through Uday Mani Pradhan. He was
very expressive, even though I do not know sign language. Had I met him
earlier, I would have cast him in the film but the role had already been
given to someone else,” Basu said. “His contribution is immense in the
film.”
During the shoot
in Darjeeling, Ajoy and Anand, who reads in a school in Kurseong, would
go to the sets to teach Ranbir how to communicate through signs.
“We used to go to the hotel where Ranbir was staying and my dad used to help him. They gelled really well,” Anand said.
In July last year,
after the shooting in Darjeeling got cancelled because of problems with
crowd management, both Ajoy and Anand were flown to Mumbai by Basu to
help Ranbir on the sets there.
“We flew for the
first time and we were thrilled. Anurag Sir and the crew took good care
of us. Sometimes, we used to go to Ranbir’s house, at other times we
went to the sets and used to be there from 9 in the morning till 9 in
the evening,” Anand said, translating for Ajoy. “We also met a lot of
actors, such as Aditya Pancholi, at Film City.”
Ajoy, who had been
trained in sign language in Delhi, stayed in Mumbai for nine days
teaching Ranbir the expressions and signs to express love and anger.
In a dance that Ranbir performed in Bhutia Busty, Ajoy was in the crowd.
“My dad was a good dancer from his early days and has won trophies in Darjeeling and Sikkim,” Anand said.
On Monday, INOX in
Darjeeling gave Ajoy, who works in the GTA’s agriculture department,
and his friends 50 per cent discount on the tickets.
A bunch of college
students who assisted Basu in managing the crowd and worked as extras,
too, was thrilled after watching the film.
“The students from
the mass communication department of St Joseph’s College are the unsung
heroes. They were very enthusiastic from Day One and they helped the
shooting go smoothly. When I was in college, I, too wanted to be part of
such projects, but it was so difficult to get into the sets. I hope
they have learnt a lot,” Basu said.
Anurag Pradhan, a
third-year student at St Joseph’s, said it was difficult for media
students in Darjeeling to get such an “exposure in the hills”. “Barfi! gave us the exposure on how a film is made.”
Another student Roshan Rai said: “The best part of Barfi! was to work with cinematographer Ravi Varman. I learnt many things from him especially on lighting,” he said.
Shrawan Lamzel of
St Joseph’s managed an entire wedding sequence where Ranbir did the
bird-like dance. Shrawan’s job was to get the entire baraat (groom’s party) dressed in their traditional clothes.
“Our first meeting
with Anurag Basu was in Chowrastha where he had invited all the
students. In the first meeting he explained to us that our primary role
would be to manage the crowd and also to look for passers in the shot,
said Akriti Pradhan. “Managing the crowd was difficult at times.”
Akriti, Yangchen
Thapa and Priyanka Pradhan were also in the Keventers scene where Barfi
(or rather Murphy) proposed to Shruti (Ileana D’Cruz).
“It was great to see myself in Barfi!” Priyanka, who watched Barfi! first day first show, said.
Yangchen, who acted as Ileana D’Cruz’s friend in the song main kya karoon said she was surprised to know that in the ’70s not too many people wore jeans.
“Since Barfi! was
a period film and was based in the 1970s, we were supposed to wear
clothes from that time. It was a nice experience to wear costumes and
even to get a dab of make-up. I was surprised to know that there were no
jeans at that time. I was told to change my jeans.”
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